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Killing Time

Audiobook
1 of 1 copy available
1 of 1 copy available
The year is 2023, and much of the world enjoys great wealth generated by the triumph of information technology. However, the staphylococcus plague of 2006 wiped out 40 million people, and the 2020 assassination of American President Emily Forrester traumatized the nation. Through it all, the internet remains the main source of information, bombarding people with news, rumors and allegations twenty-four hours a day — while creating enormous possibilities for the manipulation of mankind.
Into this world of deception wanders Dr. Gideon Wolfe, a New York psychiatrist, criminal profiler, and historian. Wolfe comes into possession of a computer disc that contains startling evidence that the now-famous visual record of President Forrester's assassination was digitally altered.
Stunned and enraged, Wolfe sets out to unravel the full tale of the Forrester hoax. His journey leads him to a secret group of scientific and military experts who seek to expose the astonishing degree to which the public can be deceived and manipulated in the Information Age. Wolfe joins the team and discovers that their efforts instigate the most horrendous single act of mass murder in world history. Relentlessly suspenseful, Killing Time reveals a new side of a master novelist.
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    • Publisher's Weekly

      October 30, 2000
      Famous for his bestselling thrillers re-creating old New York (The Alienist; The Angel of Darkness) and trained as a military historian (The Devil Soldier), Carr leaps into the future for his third novelDand lands with a thud. Set about 25 years ahead, the first-person narrative describes the grim adventures of Gideon Wolfe, a bestselling author who joins forces with a band of outsiders intent on alerting the world to the dangers of excess information untempered by wisdom. By 2023, the Internet has multiplied wildly the ability of power possessors to deceive the general populace, resulting in a globe devastated by ecological blight and filled with near-zombies glued to computer screens. Some groups have escaped this fateDparticularly those living in unwired if disease-ravaged areas of Africa and AsiaDand a few, led by the enormously wealthy and brilliant brother-and-sister team of Malcolm and Larissa Tressalian, have vowed to fight it. These two, with a small crew, bring Gideon aboard their fantastic flying/diving fortress vehicle. They explain that for years they've seeded world-shaking disinformationDfor instance, that Winston Churchill plotted the outbreak of WWI and that St. Paul advocated lying about the life and miracles of Jesus in order to spread the faith. They've planned to reveal these hoaxes as such, to warn about the power of disinformation, but they're stymied by both the cleverness of their own lies and by a new threat that sees one of their hoaxes lead to possible nuclear Armageddon. This book is as much didactic essay as novel, filled with preachy talk. Characters are broad but memorable, and there's some brisk action, but the suspense relies too much on forebodings and cliffhangersDno doubt because the text originally appeared as a serial in Time magazine, from November 1999 to June 2000 (it's been slightly revised for this edition). The prose Carr uses is elaborate, near-VictorianDperhaps a holdover from his other novelsDand ill suits a futuristic tale. As readers navigate it, they won't be quite killing time, but they'll be wounding it for sure.

    • AudioFile Magazine
      It is 2023. Malcolm and Larissa Tressalian, the genetically engineered spawn of "The Father of the Internet," attempt to break a gullible public's addiction to the Web through an insidiously designed program of misinformation. Their motives may be noble, but their methods are corrupt. When they attempt to reveal their hoaxes, no one believes them. As most nongenetically engineered children would know, crying wolf leaves one with a lot of dead sheep. While it has an interesting premise, the story's characters are merely cyber versions of talking heads with Victorian sensibilities. Narrator Philip Goodwin makes the most of this material, managing effective dialects and creating excitement whenever possible, but Caleb Carr«s dialogue is preachy, often pedantic, leaving Goodwin little leeway for interpretation. S.J.H. (c) AudioFile 2001, Portland, Maine

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