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My Name Is Red

Audiobook
1 of 1 copy available
1 of 1 copy available
From one of the most important and acclaimed writers at work today, a thrilling new novel–part murder mystery, part love story–set amid the perils of religious repression in sixteenth-century Istanbul.
When the Sultan commissions a great book to celebrate his royal self and his extensive dominion, he directs Enishte Effendi to assemble a cadre of the most acclaimed artists in the land. Their task: to illuminate the work in the European style. But because figurative art can be deemed an affront to Islam, this commission is a dangerous proposition indeed, and no one in the elite circle can know the full scope or nature of the project.
Panic erupts when one of the chosen miniaturists disappears, and the Sultan demands answers within three days. The only clue to the mystery–or crime?–lies in the half-finished illuminations themselves. Has an avenging angel discovered the blasphemous work? Or is a jealous contender for the hand of Enishte’s ravishing daughter, the incomparable Shekure, somehow to blame?
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    • AudioFile Magazine
      Turkish novelist Orhan Pamuk takes listeners to a pivotal time in late-sixteenth-century Turkey, when Western influences threaten Islamic art and dogma. Rich in language and philosophy, history and romance, this is a murder-mystery told in the voices of people, animals, and objects. John Lee's performance highlights the lamentations of Elegant, a murdered miniaturist, and offers his killer's rationale. We also hear from a dog, a horse, a tree, a gold coin, the color red, and three remaining master miniaturists, Stork, Butterfly, and Olive. Lee's voicings of Black, the investigator of the crimes, and Shekure, Black's breathtakingly beautiful wife, are simply masterful. With multiple voices weighing in on blasphemy, passion, art, and repression, John Lee's solid performance makes this work a splendid fit for audio. S.J.H. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
    • Publisher's Weekly

      Starred review from August 6, 2001
      Meshing the tropes of the tavern storyteller with the recent fashion for historical mysteries (à la The Name of the Rose
      and An Instance of the Fingerpost), Pamuk's novel could cause a sensation here, just as it did in his native Turkey. Set in the 16th century, at the tipping point when the Ottoman Empire was being transformed from the world's most feared superpower into an imperial backwater, Pamuk's story works on three levels. As a murder mystery, it asks who killed a gilder named Elegant, employed by an atelier of miniaturists, and then Enishte, the man who was funding the atelier? On another level, this is a story of ideas. In coffeehouses frequented by poets and artists, the backwash from the European Renaissance is starting to call into question fundamental principle of Islamic culture. Enishte, in particular, has become enamored of the perspectival method favored by Venetian painters, and wants his artists to achieve a comparable representation of reality, rather than abiding by traditional rules of representation. Pamuk not only immerses us in this debate; he makes the pictures of dogs, Satan, gold coins, etc., "talk," imitating the shadow-play method of traveling storytellers. His own ability to draw stunning pictures makes Istanbul as grimly vivid as Raskolnikov's St. Petersburg. On the third level, this is a love story. Black, a clerk and Enishte's nephew, must win Enishte's beautiful daughter, the widowed Shekure. The book's jeweled prose and alluring digressions, nesting stories within stories, make one want to say of Pamuk what one of the characters says of the head of the miniaturists' coterie, Osman: "...God had blessed him with an enchanting artistic gift and the intellect of a jinn." Widely respected abroad for his previous novels, The White Castle
      and The New Life, Pamuk should gain new readers here with this more accessible, charming and intellectually satisfying, narrative. (Sept. 6)Forecast:An irresistible jacket, vibrant with strong colors and an Islamic patterns, will lure browsers. Critical coverage should alert discriminating readers, and if there's handselling passion from booksellers, this could be Pamuk's breakout book.

    • Publisher's Weekly

      September 1, 2008
      Acclaimed Turkish novelist Pamuk offers this fascinating murder mystery set against the backdrop of 16th-century Istanbul. The story surrounds a sultan who commissions a book to celebrate his life and times, as well as a set of talented artists hired to recreate the work in the European style. But when one of the artists disappears, the answer to his whereabouts seems to lie in the images themselves. British narrator John Lee reads with a classical tone, drawing on his theatrical experience to create a rousing, epic, but personal reading sure to appeal to a wide range of listeners. Lee reads with such inherent skill that his words seem to be coming straight from memory, recreating Pamuk's ancient world in colorful clarity. A Knopf hardcover (Reviews, Aug. 6).

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  • English

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