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A History of My Brief Body

ebook
1 of 1 copy available
1 of 1 copy available

Lambda Literary Award, Finalist / "A Best Book of 2020" —Kirkus Reviews, Book Riot, CBC, Globe and Mail, Largehearted Boy.

"Stunning... Happiness, this beautiful book says, is the ultimate act of resistance." —Michelle Hart, O, The Oprah Magazine
The youngest ever winner of the Griffin Prize mines his personal history in a brilliant new essay collection seeking to reconcile the world he was born into with the world that could be.

For readers of Ocean Vuong and Maggie Nelson and fans of Heart Berries by Terese Marie Mailhot, A History of My Brief Body is a brave, raw, and fiercely intelligent collection of essays and vignettes on grief, colonial violence, joy, love, and queerness.

Billy-Ray Belcourt's debut memoir opens with a tender letter to his kokum and memories of his early life in the hamlet of Joussard, Alberta, and on the Driftpile First Nation. Piece by piece, Billy-Ray's writings invite us to unpack and explore the big and broken world he inhabits every day, in all its complexity and contradiction: a legacy of colonial violence and the joy that flourishes in spite of it; first loves and first loves lost; sexual exploration and intimacy; the act of writing as a survival instinct and a way to grieve. What emerges is not only a profound meditation on memory, gender, anger, shame, and ecstasy, but also the outline of a way forward. With startling honesty, and in a voice distinctly and assuredly his own, Belcourt situates his life experiences within a constellation of seminal queer texts, among which this book is sure to earn its place. Eye-opening, intensely emotional, and excessively quotable, A History of My Brief Body demonstrates over and over again the power of words to both devastate and console us.

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    • Kirkus

      Starred review from May 1, 2020
      A genre-bending memoir in essays from Canada's first First Nations Rhodes Scholar. In sharp pieces infused with a yearning for decolonized love and freedom, Belcourt, of the Driftpile Cree Nation, ably balances poetic, philosophical, and political insights throughout this unique book. The author situates his reflections on love, longing, and vulnerability amid a political reality of trauma, violence, and oppression "on the shores of what is now improperly called Canada." More than a chronological life history, these elegantly crafted essays on his personal experience as an NDN boy explore themes of queer identity, sexuality, and love; family bonds that defy colonialist brutality; and the tension of living and writing on the edges of "killability" and freedom. Belcourt confronts histories of marginalization as well as urgent present-day issues, including the racialized coding and "ontological shaming" that infect online dating apps and what the author sees as a lack of unbiased medical care. "Hospitals have always been enemy territory," writes the author. "My body, too brown to be innocent, enflames the nurses' racialized curiosities. For them, there's always the possibility that my pain is illusory, dreamt up in order to get my next fix." Stretching memoir beyond personal memory, Belcourt deftly carves out a space where joy and love become vital acts of resistance, and he incisively considers how the state-sanctioned "suppres[sion] of NDN vitality" and resulting "existential hunger" fit within a broader construct of colonialism. Ultimately, Belcourt delivers an inspired call for "a radical remaking of the world," at once accomplished, expansive, even vulnerable--but never weak. "In the face of antagonistic relation to the past," he writes in conclusion, "let us start anew in the haven of a world in the image of our radical art." At the nexus of critical race and queer thought, this should become a timeless interdisciplinary resource for students, educators, and social justice activists. An urgently needed, unyielding book of theoretical and intimate strength.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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