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A Dangerous Place

ebook
1 of 1 copy available
1 of 1 copy available

Early in her powerful, affecting debut, Desautels writes: "I always mention gratitude because/people like that ending." Unflinching in its candor, this is the story of a woman with two swellings in her belly: a nascent baby, and a cancerous tumor. The poet could focus on the particulars of the medical case, using language from a traditional illness narrative. Instead she gives us the basics, then gathers up surprising and expansive material from various landscapes—the Black Hills, the prairies of Texas, the mountains, switchgrass, and, especially, the neighboring buffalo, to which she feels a profound connection. Desautels' metaphors strike home, they are counterpoints, balm to the uncertainty and grief that make us uncomfortable. The book moves elegantly from its dark beginnings to a transcendent thankfulness. With healing lyricism, she writes: "And I imagine the white sheets as heron wings./And the whirring machines are white eggs./And the worried voices are sunlight on water."

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    • Publisher's Weekly

      Starred review from November 22, 2021
      In her lush and transformative debut, DesAutels teases out pain and joy, building them into poems that are “tender and green, reaching/ charged, humming.” When the author’s daughter was six months old, DesAutels tested positive for a second pregnancy, which was later identified as cancer: “the test a false positive, the blood/ unrelated, the swelling in my belly something/ else.” DesAutels’s poems draw their visceral power from the tension between the body capable of bringing new life into the world and the body in threat. She voices this duality with sophistication and heartbreaking elegance: “Buffalo my pumping heart. Tongue: rainbow trout in a low-running stream./ Memory an antelope in a crown of wildflowers, thrashing.” The collection moves in a loose chronological order, shifting from poems about new motherhood to poems about survival. Throughout, she offers remarkable insights: “You’d think almost dying would make every moment count. It doesn’t.” Using the natural world as her foundation, DesAutels writes about illness and motherhood in a collection that is arresting, fiercely tender, and teeming with life.

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  • English

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