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Inseparable

Audiobook
1 of 1 copy available
1 of 1 copy available

Finalist for the French-American Florence Gould Translation Prize

A novel by the iconic Simone de Beauvoir of an intense and vivid girlhood friendship that, unpublished in her lifetime, displays "Beauvoir's genius as a fiction writer" (Wall Street Journal)

From the moment Sylvie and Andrée meet in their Parisian day school, they see in each other an accomplice with whom to confront the mysteries of girlhood. For the next ten years, the two are the closest of friends and confidantes as they explore life in a post-World War One France, and as Andrée becomes increasingly reckless and rebellious, edging closer to peril.

Sylvie, insightful and observant, sees a France of clashing ideals and religious hypocrisy—and at an early age is determined to form her own opinions. Andrée, a tempestuous dreamer, is inclined to melodrama and romance. Despite their different natures they rely on each other to safeguard their secrets while entering adulthood in a world that did not pay much attention to the wills and desires of young women.

Deemed too intimate to publish during Simone de Beauvoir's life, Inseparable offers fresh insight into the groundbreaking feminist's own coming-of-age; her transformative, tragic friendship with her childhood friend Zaza Lacoin; and how her youthful relationships shaped her philosophy. Sandra Smith's vibrant translation of the novel will be long cherished by de Beauvoir devotees and first-time readers alike.

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    • AudioFile Magazine
      Narrators Gabra Zackman and Julia Whelan bring fine individual skills and compatible vocal registers to their performance of Simone de Beauvoir's previously unpublished 1954 novella. The production also includes an introduction, an afterword, and a selection of letters between de Beauvoir and Zaza Lacoin, whose relationship inspired the book. Set in Paris, in the milieu of radical conservative Catholicism, the novella explores Sylvie (de Beauvoir) and Andree's (Lacoin) friendship and the stifling effect of strict social codes. Zackman brings clarity and engagement to her reading of the introduction and afterword, and heartbreaking liveliness to Lacoin's letters. Whelan's narration of de Beauvoir's letters highlights the author's mix of desperation and self-control, and her performance of the novella nicely contrasts Sylvie's na�ve yet sensible personality and Andree's emotionality. A.C.S. © AudioFile 2021, Portland, Maine
    • Kirkus

      Starred review from August 15, 2021
      This previously unpublished novel by towering French existentialist intellectual and feminist icon Beauvoir, written in 1954, is based on her deeply formative relationship with a classmate. "When I was nine, I was a very good girl." So begins the story of Sylvie Lepage's friendship with vivacious Andr�e Gallard. They meet at school, vie for top honors, and become inseparable. Sylvie adores Andr�e, the second of seven siblings in a family old, distinguished, and militantly Catholic. Her father chairs the League of Fathers of Large Families. As the girls grow older, the expectations and obligations heaped on Andr�e become increasingly onerous, crushing her spirit and threatening her health. Sylvie loses her faith, whereas pious Andr�e despairs of pleasing God and comes to fear her own capacity for passion. Bright, sensitive, musical, and artistic, Andr�e struggles to be the dutiful daughter her family, church, and society demand. "Behind her, she had this past; around her, this large house, this enormous family: a prison, whose exits were carefully guarded." Sylvie, meeting her friend for coffee, thinks: "All around me, women wearing perfume ate cakes and talked about the cost of living. Since the day she was born, Andr�e was destined to be like them: but she wasn't." A lively introduction by Margaret Atwood gives the history of Beauvoir's friendship with Zaza Lacoin, the Andr�e of the story, describing it as "a wellspring" for everything Beauvoir subsequently wrote. The book's dedication to Zaza asks: If I have tears in my eyes tonight, is it because you have died, or rather because I'm the one who is still alive? In a letter to Simone, included in the afterword, Zaza wrote: "There is nothing sweeter in the world than feeling there is someone who can completely understand you." The tragedy of Zaza's death at 21 haunted Beauvoir, yet when she showed the manuscript of this novel to Jean-Paul Sartre, he dismissed it as trivial. It is, after all, only about two young women. As Atwood says, "Mr. 'Hell is other people' Sartre was wrong." It is heartbreaking to think of the author, with her brilliant, incisive mind, absorbing Sartre's casual misogyny the way the tragic heroine of this book absorbs the narrow-minded values that destroy her. A moving portrayal of intense female friendship, identity, and loss.

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